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One day, thinking that it will make your wife and friends smile, you shave off the moustache that you have had for the last ten years. No one notices or, even worse, everyone pretends not to notice and your smile soon fades. Before being wiped off your face. You insist but people tell you that you've never had a moustache. Are you going mad? Are people trying to make you think you are? Or has something in the world's order gone awry at your expense? Adapting his own 1986 novel, Emmanuel Carrère – whose books Class Trip and The Adversary became Cannes Competition titles by Claude Miller and Nicole Garcia, respectively – provides a feast of sustained tension as the man's wife and his closest friends deny that he ever had a moustache. Viewers who like their conclusions tidy may rebel, but those who relish outstanding performances in the service of an intriguing idea will be entertained. The film won the Label Europa Cinemas Prize at Directors' Fortnight in Cannes. 一天，你滿心以為給妻子和朋友開個玩笑，把蓄了十年的鬍子刮掉。但可惜完全被人忽視了，或更可悲的是每個人都假裝看不到，很快，你得意的笑容不見了，笑臉再也掛不住。你堅持，但所有人都跟你說你從未蓄過鬍子。莫非你神經錯亂？是否所有人都想令你以為自己瘋掉了？又或者，是因為你的緣故而搞亂了世界的某種秩序？ 本片是導演艾曼雷．卡雷爾改編自他自己一九八六年出版的小說。他的另外兩本小說《 Class Trip 》及《 The Adversary 》曾分別被葛羅特．米勒及妮歌．加西亞兩位導演改編成電影並先後成為康城影展的參選影片。在本片中，因為男人的妻子和老友否認他曾經蓄鬍子而令整個故事維持在緊張的氣氛中。 喜歡結局完整的觀眾可能會感到不高興，但欣賞引人入勝的故事和精湛演技的觀眾則會看得津津有味。本片在康城影展的導演雙週中奪得歐洲電影標籤大獎。 Source: The 34th French Cinepanorama, Hong Kong。河畔的绿茵丛中静静伫立着一张长椅。某个黄昏时分，这对久别重逢的青梅竹马在狭小的座椅上并肩而坐。他们交换着欲言又止却饱含温情的话语，细碎的话语间流淌着难以言明的微妙情愫。 这张承载着故事的长椅见证着人间百态：谈分手的情侣遭遇醉汉搅局，离家出走的姐姐与追寻而来的妹妹在此相逢，市政厅职员正谋划着拆除这座承载记忆的公共设施。 本片以一张长椅为原点，用多线交织的长篇叙事捕捉当代都市人稍纵即逝的生命片段，在方寸之间勾勒出浮世众生的情感光谱。。1840年，一个人彻底改变了英国人的旅行方式,他的名字叫乔治-布莱德萧，其编写的火车指南鼓励了维多利亚时代的英国人乘火车进行旅行，对于每一站，他都会告诉大家该去哪里，去哪里参观以及在哪里住宿，现在，170后的今天，主持人将在全国范围内进行4段长途旅行，看看当年布莱德萧的英国如今变成了什么样子。。