纳瓦隆第十突击队

视频简介

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。1936年的北平，就读于圣心学堂的旷美娇（韩雪 饰）、袁寒雪（杨若兮 饰）和桃金梅（蔡裴琳 饰）是三个亲密无间、快乐单纯的女孩子，她们的友情笃深，平常约定穿一样的衣服，宛若同胞姐妹一般。春华秋实，少女们情窦初开。美娇与帅气的男孩潘安（窦智孔 饰）一见如故，却不知这场交往隐藏着怎样的秘密，而她和姐妹们的关系也悄悄发生变化。不久，日本侵华战争爆发，美娇身为国会议员的父亲屈服日寇担当伪政权官员，也酿成了女儿和自己一生的悲剧。出身贫寒的小雪几经周折，与抗日武装负责人程亥走上另一条道路。从小受日本间谍养父摆布的桃金梅一度成为闪亮的明星，可是在家国大义之前依然面临郑重的选择。 女孩们的故事，女人的一生……。