污秽的摇篮

视频简介

2023年，东京。东山首相（中村トオル饰）在世界环境大会上宣布将进一步推广“COMS”。此外，东山还发起了“日本未来促进委员会”，该委员会聚集了各省厅的优秀青年官僚，着眼于“日本的未来”。环境省的天海启示（小栗旬饰）和经济产业省的常盘浩一（松山ケンイチ饰）也被选为成员。此时，某个周刊发表了田所雄介（香川照之饰）警告关东地区沉没的文章。因为这篇文章，一些团体开始举行公开示威，为了解决这一事态，天海与田所进行了会面。但是，田所完全无视天海的话语，并给出了一个可怕的预言：“不久的将来，伊豆海岸的一个岛屿将会沉没。该岛的沉没将是我所恐惧的关东沉没的前兆。”天海觉得自己被愚弄了。在这一时点，天海因“D Plans”这家以环境商业赚钱的企业与环境省之间不存在的勾结，被周刊杂志《SUNDAY·毎朝》的记者椎名实梨（杏饰）提出怀疑。怀抱着一丝不安，和常盘一起前去趣...。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。